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Aberrant Ceramics features hand-made sculptural
and collaged clay objects by Tucson Outsider artist Aaron Nosheny. The clay work ranges from interpretations of geek culture icons, replicas of odd life forms real and imaginary, whimsically adorned quasi-functional pottery, and Judaica.  It is my great joy to produce these eclectic clay monstrosities.  I also love to send them out into the world.
 
I sell my work in the gallery at Tucson Clay Co-op.  I have additional work for sale at Tolteca Tlacuilo at Old Town Artisans and at Amazing Discoveries.  I also sell through Etsy, Storenvy, and Meylah.

Most of my work on this blog and on other sites is for sale.  If you see something you like, please contact me and I'll list it on Etsy. If it's already sold/missing/damaged and you are interested in buying something similar, please contact me and we can work out the details.

Commissions are always welcome and I'm happy to discuss options to fit any budget.

Monday, May 20, 2013

Cyclopean Giraluna

This is the Cyclopean Giraluna.  It's 18 inches tall, the tallest clay piece I've made.  The giraluna is one of hte plants described in Parallel Botany, Leo Lionni's alternate universe botany textbook, one of my earliest inspirations for clay art.  I've made many of them over the past nine years.  This one doesn't have much in common with the giraluna as described in the book which have seeds which serve no purpose at all since the parallel plants do not reproduce, and not an ever vigilant eye. 




I just realized as taking these photos that the top part of the giraluna is also The Elder Sign, a symbol used in the fiction of H.P. Lovecraft (although the image of the eye in a five-pointed star itself is an invention of August Derleth).




Leo Lionni also wrote beautiful and psychedelic children's books such as Alexander and the Wind-up Mouse

Friday, May 17, 2013

Slab Menorah WIP

Most of my past menorahs have been constructed of large blocks of clay.  They take a long time to dry, are potential explosive in the kiln, and the finished product is very heavy.  Last year I experimented with a few slab menorahs, made from flattened slabs of clay attached using slip (liquid clay).  The only drawback is that the dimensions of the menorah have to be planned in advance and the components must be dry enough to hold their shape and wet enough to allow scoring (scratching the clay to increase surface area for a more permanent attachment). 

I spent a good amount of time planning out the dimensions, but they still didn't come out exactly right.  This may be because, as it is manipulated, the dimensions of the clay slabs can change.

Here are the component slabs.


Here is the assembled menorah.


This project took about an hour and a half this morning and another two hours this evening.  It's a very reasonable time commitment.

Monday, May 13, 2013

Outsider Reactions to Triangular Eye Pot

I posted my Triangular Eye Pot to the Outsider Art group on Facebook and I had two interesting and positive reactions.

This one compared the pot to the potoo bird.




This one compares the appearance of the pot to the class of celestial beings known as the Thrones.  In addition to Biblical references, they're mentioned in the song "God Save the People" from Godspell.



Trinary Devotion WIP

My Zebra Devotion sculpture sold yesterday so I made this new Devotion sculpture in celebration.  I don't remember why I started calling them Devotions.  They are macabre Halloween decorations with faces from a rubber doll mold. 


Sunday, May 12, 2013

Triangular Eye Pot

This is a hand-built triangular slab pot with 30 molded eyes.  It took about 12 hours to build and glaze.  I decided to stop naming these eye pots after their number of eyes.  Thirty-Eyed Pot?  Don't let's be silly now.




Giant Otter Miniatures

Last year, I was running Dungeons & Dragons Encounters in a local gaming store. Encounters is a series of adventures provided by the publisher with the intention of attracting new players/consumers to their product.  There was one point during this particular story, Beyond the Crystal Cave, in which the players had the opportunity to use giant otters as mounts.  I made the clay miniatures but they didn't get done in time for the game.  Over a year later, I finally got around to painting them.  Some are more otter-like than others.  One looked more like a tiger cub so I painted it as such.








The otters are designed to allow a D&D mini to be placed on top.  This is illustrated with my Kenku assassin.  It would probably work better with the standard plastic figures.


Friday, May 10, 2013

Ten-Eyed Pot

This is a hand-built slab/coil pot with ten large molded eyes that wrap around the pot in a linear pattern.




This pot was constructed by making coils of clay, flattening them, and attaching them around a base with slip.  The result is a very sturdy pot, but the thickness is obviously not uniform.  I've switched to a slab method for all future pots.


Tuesday, May 7, 2013

Antimetachamsas

These are press molds made from the most recent group of metachamsas.







Metachamsas and antimetachamsas paired together:


Balinese Spiky Pot

This is a hand-built slab pot with a face from a Balinese design.  It's 6.5 inches is diameter (not counting the ears) and 5.5 inches tall.  It has 105 spikes.




This is the image the pot is modeled on, from Treasury of Fantastic and Mythological Creatures by Richard Huber.


Behold the cinematic marvel of the Balinese Spiky Pot:


Monday, May 6, 2013

R. Crumb's Face

This is a clay interpretation of a self-portrait by sixties counterculture anti-hero artist Robert Crumb.  I like how the face came out, but I think using black glaze on the ears was an error of judgment.