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Aberrant Ceramics: May 2011
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Aberrant Ceramics is the artwork of Aaron Nosheny,
potter and ceramic artist based in Tucson, Arizona. Self-taught and neurodivergent, he has worked in the medium of stoneware clay for 21 years, developing a practice rooted in literal construction and obsessive repetition. He makes non-traditional ceramics in a medium built on tradition, exploring the overlap between wonder and revulsion. Subject matter includes sympathetic monsters, insects, opossums, fast food mascots, and Halloween kitsch.
I am in love with my medium. I love the process of frantically birthing clay monstrosities, subjecting them to an epic trial by fire, and sending them out into the world.
For my next Aqua Teen Hunger Force piece, this is Bingo the Robotic Floating Clown Head. I only wish I could give his rainbow clown hair better volume.
I wanted to make miniatures to represent the Sporeback and Thornskin frogs for a D&D Encounters game a few weeks ago. I couldn't get the scale right for it to fit in a one inch square. This was as small as I could get (about two inches long).
The model was an illustration of an American bullfrog from this book:
I monitor the traffic to this blog out of curiosity; it doesn't actually make much of a real-world difference how many people visit. Over the past few weeks, I've been noticing a lot of traffic to a post from October 2010 concerning a clay image of a tardigrade, a moderately obscure invertebrate animalcule. Yesterday, the number of hits suddenly jumped up almost to 1000. I edited it to request that visitors explain the sudden popularity of the water bear and I received my answer. There was a BBC article on tardigrades and a lot of people were apparently searching for the term on Google and reaching my tardigrade post.
I made a new tardigrade sculpture last night in celebration.
Today the Robot Goddess Saga installation on Sara's neighbor's patio was expanded by Sara and Dion. In addition to the two Robot Goddesses, it includes the stem from Skull Shroom 1 which was damaged when a shelf collapsed last year. A plot seems to have developed involving a conflict between the aliens and their monstrous Robot Goddesses against the human soldiers.
I needed a tiny monstrous frog with fungi on its back for an upcoming Encounters game, but I couldn't manage it at that small a scale, resulting in rage and thrown clay.
Yesterday I attempted the sporeback frog on a larger scale. I like how the mushrooms came out (I have some experience with mushrooms). I'm moderately happy with the face and mouth (I have some experience with protruding tongues). The legs came out looking depressingly primitive.
Several years ago, after a visit to the Mütter Museum in Philadelphia, I made some small, very primitive figures of the different configurations of conjoined twins. These were created to flaunt my new, more sophisticated skills in realistically rendering human anatomy in clay.
My studio missed the 4th Avenue Street Fair this year, so we tried a new venue, the Tucson Folk Festival. I was there for a few hours on Saturday morning and there was very little interest in what we were displaying, even the cheap, collectively thrown "chicken" pottery which usually sells fast. Some time between when I left and when the festival was finished on Sunday afternoon, I sold seven chamsas:
Robot Goddess 2 has gone to join Robot Goddess 1 in an installation on Sara's neighbor's windowsill. Please note the increased anatomical sophistication of RG2 over RG1.