The studio has an annoying policy of writing the date in pencil on the back of pieces that come out of the bisque kiln. At least, it's annoying to me. The graphite burns off if it's fired again in the glaze kiln so it doesn't affect the piece permanently. It annoys me because the extra handling of already fragile pieces could potentially damage them. I wrote a message on the back of this one saying "You don't need to write the date on me. All of my work is picked up promptly," but I was the one to unload the kiln so it didn't really matter.
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I work in the medium of stoneware clay and make hand-built pottery, primitive sculpture, hamsas, and a variety of other forms. My work celebrates and pushes the plasticity of the medium. The content of the work follows an inner landscape of biological obsessions, psychic damage, and bouncy cartoon animals.
Thursday, January 19, 2012
Space Coyote 2
This is my second Space Coyote, representing Homer's spirit guide from "El viaje misterioso de nuestro Jomer."

The studio has an annoying policy of writing the date in pencil on the back of pieces that come out of the bisque kiln. At least, it's annoying to me. The graphite burns off if it's fired again in the glaze kiln so it doesn't affect the piece permanently. It annoys me because the extra handling of already fragile pieces could potentially damage them. I wrote a message on the back of this one saying "You don't need to write the date on me. All of my work is picked up promptly," but I was the one to unload the kiln so it didn't really matter.
The studio has an annoying policy of writing the date in pencil on the back of pieces that come out of the bisque kiln. At least, it's annoying to me. The graphite burns off if it's fired again in the glaze kiln so it doesn't affect the piece permanently. It annoys me because the extra handling of already fragile pieces could potentially damage them. I wrote a message on the back of this one saying "You don't need to write the date on me. All of my work is picked up promptly," but I was the one to unload the kiln so it didn't really matter.